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The IR photons do a good deal more sub-surface scattering in the skin than visible light, rendering each person as a waxen figure. You might have noticed these are not delivered in monochromatic black and white, as in the style of a silver gelatin process. Instead, I chose to render them out with a bit of split-toning. Since the birth of photography, this was a common practice, using various methods to bring color to the highlights and to the shadows.

In order to fully and accurately capture the collodion sensitivity range, I need to not only use a lens that allows ultraviolet photons to pass, as used in this experiment, but also a camera with a sensor modified to receive UV light. As photographing humans draws no benefit from presenting false color, hyperspectral photography such as UV is best delivered in black and white.

Having a color sensor actually hurts collodion-spectrum portraiture — if the construction of the image relies on a missing red channel, then we need to have a monochromatic sensor to gather an image using the filters described in this process with due sharpness. Alternatively, I can also look into intelligent upscaling, possibly using AI to regain resolution lost in the process. As I used attractive models in this experiment, instead of the lab tools one should use to characterize optics, the spectral range of each photograph is an educated guess at best, based on theoretical readings.

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Lab characterizations will follow. Trust the math. In it, Warren also discusses challenges he encountered with Bayer filters and how he wrote his own demosaic algorithm script to overcome them. About the author : Phil Warren is a photographer, engineer, explorer, and adventurer.

The opinions expressed in this article are solely those of the author. Look to the Spectrum! Spectral sensitivity of cadmium bromide, potassium iodide, and collodion consisting of the two.

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Available here. Setting Up an Experiment Now we invite some friends and models to come sit for us! They were asked to model under a broad-spectrum light source the sun , with an additional light source of a silver reflector, and maintain a pose for a few minutes while I photograph each under the following conditions: Visible Spectrum This is what humans see obviously.

Notice her light freckles, dark shirt, and slightly light eyes Orthochromatic Blue Collodion AND Squid Vision This could be seen as the same spectrum that octopus and squid might view in. Nonetheless, these blurry images were interesting… Captured on a modified Nikon D80 through normal 50mm lens, no filter. This was the only way they had to try to remember that person. Early 60s. And my Mom made decent money for a woman back then. My brother recommended I might like this website. He was once totally right.

This submit truly made my day. Mourning etiquette back then was very extreme how is a pm photo any more creepy then wearing jewelry made with the deceased s hair or the restrictions on clothes and social interactions? What an amazing collection….. This is so very interesting! I have a degree in history, write Victorian and turn of the century fiction, and write a blog that focuses on the same time periods and have never, ever heard of this. Really great stuff. Thanks for posting it! Love these images! The first photograph, by the way was taken in The first photographs used for portraiture had about minutes of exposure.


Still very long and uncomfortable, but not quite hours. Pingback: Hidden mothers in Victorian portraits eeamdworaczyk. Reblogged this on eeamdworaczyk. Pingback: Link dump johnblackspear. What makes you think these are mothers? These are probably, nurses, nannies, other domestic servants unworthy of being in a family portrait. It was the vogue around in America.

Baby in a Head Lock with Hidden Mother - Tintype

The kids are quite clearly dead and some are in coffins. There are some ugly kids in these photos but no obviously dead ones. Still amazed that they are still in focus, even if mother is there to hold them down! But they look a bit freaky! Some are not very well disguised at all! Pingback: Freaky, but interesting. Art Chapman Inter Term This is so interesting. Although I am sure there are pics out there of post mort.

PS- this site is right up my ally- new follower here! Pingback: More hidden mothers in Victorian photography: post-mortem photographs or not? The Museum of Ridiculously Interesting Things. Its in fact amazing paragraph, I have got much clear idea concerning from this paragraph. Is the third from the bottom a woman? The child in the second picture is definitely deceased.

You can see the stand behind him by his feet, and the mother is hold his head up. In England the servants were to be invisible. Governesses and nannies got no respect and it would have been inappropriate for them to be photographed with the children. They were only servants, after all. Pingback: Due to the long exposure times of Victorian photography, the mothers of children getting a portrait done would be camouflaged into the scenery. Considering the social background of those children, I believe it is not the mother who is hidden here but most likely the nanny.

These were upper class children — it would be undignified for their mothers to be reduced to furniture and camouflaged under throws and curtains.

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Nannies and wet nurses raised the children since birth and their presence was necessary to keep the youngest of them calm. That is why they had to be disguised as part of the decor interesting implications here regarding the social status of servants in victorian times.


Pingback: Linuxette. I have also seen a stand used for both adults and children which had a semi-circular clamp which fitted around the back of the neck to hold the head in position the most essential part of the body to keep still. Lastly, I feel that those who consider some of the above photographs to be of deceased children have obviously albeit thankfully never seen a corpse — no amount of make-up or artistic arrangement can hide the fact when you are looking at what is no longer a living, breathing person. Plenty of people have also argued that many of the hidden figures were probably not relatives at all, but photography studio assistants. Thanks for the comment. All in all, very interesting article and comments!!!

Thanks for helping move my Friday along to ! Pingback: A day in the life: 3rd July Frayed at the Edges. Pingback: Hidden mothers in Victorian portraits - London Moms. That is hilarious! God forbid someone think I had anything to do with my child being anything other that naturally perfect, or sitting still. They cleaned and dressed him, and the family each held him and took several photographs.